Excerpts from Lucy Kimbell‘s forthcoming interview (in Design and Culture) with Graham Harman:
Objects are the anti-reductive principle par excellence. They exist midway between their tiny components and their palpable external effects. In this way they resist reduction both downwards and upwards– neither undermined nor overmined, neither undercut nor “overcut,” to coin another new term. Objects occupy the middle range in any situation, lurking beneath their outward effects, but they are also something real that cannot be decomposed into tinier elements. (…)
I think one of the weaknesses of the heavily relational approach of ANT (Actor Network Theory) is that it cannot adequately deal with the parts of the object that exceed its current relations. Latour’s best case studies (Pasteur, for example) are about things that have already happened. All the relations and translations have finally done their work, and we can use Latourian tools to explain how it occurred. …
Yet I’m not sure that ANT is quite as useful at counterfactual cases. What counterfactual cases do is allow us to look at the innate powers of a thing that might not have been expressible in their actual environment, and ask how things might have played out differently. …
The danger of relationist thinking is that it focuses too much upon reciprocal interactions in the “now” and too little on what things should be doing that they are prevented from doing by the accidental set of physical and social relations in which they are now entangled. The term “essence” gets a bad press these days, because it has come to be associated with all kinds of oppressive and reactionary dogmas, but if we take “essence” in a more minimalistic sense to mean “what a thing is quite apart from its current accidental situation,” then a certain essentialism is unavoidable.
Peter Sloterdijk’s philosophico-morphological theory is based on an understanding of the history of culture as spatialisations of forms. The world in which we live now requires us to design new types of ‘spatialised immunity’. More broadly, the concept of a spherical logic of space – a polymorphologic of form, order and thinking – is explicated in Spheres, his three-volume archaeology of the human attempt to dwell within spaces, from womb to globe. The Spheres project (Bubbles, Globe, Foam) is a significant topological turn in the field of contemporary philosophy, ‘a super-workout for communicative energies capable of finding contact throughout the entire world.’
ANTHEM 